
Convento Dei Cappuccini, Palermo
1997, 10 ” x 13 ”, Janine Coyne

Children Playing, Taormina, 1997
10” x 13”, Janine Coyne
I became quickly entranced by its untouched nature and found each town, large and small filled with potential imagery. Each area I visited had rich examples of Sicilian Baroque art and architecture, and an abundance of Greco-
Roman ruins.
However even with that rich backdrop, it was the people who captivated my imagination. Because my subjects were comfortable in their environment, they permitted me to use my camera in their setting. In these environmental portraits, I hope to convey a sense of tradition, a strong work ethic and a dedication to the land and sea,which has shaped their lives and Sicily ’s history.
In 2001, I anxiously returned to seek other
destinations on the island of Sicily, now with a sharper vision based on my earlier work. Siracusa and Cefalu, both cities with powerful histories since antiquity provided me with a different perspective.
I began to view the landscape in a more abstract manner and responded to the intricate details of architectural structures and those found in the ruins. Yet,as in 1997,the people of Sicily once again lured me into their world.
Through my work these ordinary individuals living their daily lives are transformed into images that will hopefully transcend time. I look forward to returning, once again and continuing my photographic journey of Sicily.

Relief-Villa Palagonia, Bagheria, 2001
17 ” x 12 3/4 ”, Janine Coyne

The Field Workers, Milazzo, 1997
17 1/2” x 12”, Janine Coyne