Aug. 30 - Oct. 15, 2004
Exhibition
Dates: Monday, August 30 - Friday, October 15, 2004
Opening Reception: Wednesday, September 8, 6:00 - 8:00 p.m.
Artist Talk: Tuesday, September 14, 6:00 - 8:00 p.m., with
refreshments
Hours: Monday, Tuesday, Thursday, Friday: 10 a.m. - 4:00
p.m.
Wednesday: 10:00 a.m. - 8:00 p.m.;
Saturday: 10:00 a.m. - 6:00 p.m.; and by special appointment
Admission: Free
Italian American Museum
28 West 44th Street, 17th Floor
New York, NY 10036
(212) 642-2020
NEW YORK, August 24, 2004—The
Italian American Museum presents Albero della Vita/Tree of
Life, The Art of Christopher Priore, a collection of recent
paintings, sculptures, and drawings by Priore, a
Manhattan-based artist. This is his fourth New York solo
show. This exhibition is also the second half of a west
coast/east coast presentation of his art at Italian American
venues, with Christopher Priore: New Adventures having been
presented earlier this year at San Francisco’s Museo
ItaloAmericano.
The New York exhibition includes fantastical suspended
sculptures created with feather boas, washing machine
agitators, orange safety fencing, and bird nests. Priore’s
black and white works on paper are painted on the back with
fluorescent colors that cast a glow inside their frames. He
will also be exhibiting new paintings from his ongoing
series, What Holds Everything Together? These works are
painted with bright, translucent lacquers on clear sheets of
vinyl or Plexiglas. The stained-glass quality of the work is
enhanced by its suspension in front of the gallery’s clear
entrance wall. This series of paintings, which employ images
of chain links, explore the age-old questions: What is
everything composed of? What binds matter and relationships
together? And what is the negative space composed of between
the structural essences? All of the paintings, sculpture and
drawings in the show explore the relative parallels between
the microscopic and the cosmic, and describe a world of
ambiguous scale. The exhibition is curated by the museum’s
Maria Fosco.
The mission of the Italian American Museum, now in its
fourth year, is, in part, to present the contribution and
impact of Americans of Italian descent on contemporary
culture.

Christopher Priore with recent suspended sculpture in the studio |
|

Poor
Dimensions variable
Industrial mop wringer and feather boas

What Holds Everything Together? IV
H 13.5 x 20’ x 6
Transparent lacquers on two layers of Plexiglas, private
collection, NYC

What Holds Everything Together? III
H 15 x W20 X6
Transparent lacquers on two layers of Plexiglas
|

In the Middle of Everywhere X
H24.5 x W28.5
Graphite on museum board fluorescent backing casts glow |
|

In the Middle of Everywhere XI
H32’’ x W40
Graphite on museum board fluorescent backing casts glow |
About the Artist
Christopher Priore is a third generation American of southern Italian
descent. His family came to the United States in the late 19th century
from Sicily and Basilicata. Born in Buffalo, and raised in Pittsburgh,
he attended Carnegie Mellon University attaining a BFA in 1981.
His junior year of college was spent at The Tyler School of Art
(Temple University) in Rome.
Priore came to the attention of the art world directly upon graduation
with a series of smoke sculptures made with skywriting planes over
Pittsburgh and Dayton, the latter chosen for its historical connection
to the Wright brothers. A leader of his generation of young artists
in Pittsburgh throughout the 1980s, he moved to Manhattan in 1989,
were he has since lived and worked.
Still pursuing his interest in flight, he continues to invent an
airborne world. His sculptures are often suspended from the ceiling
or projected off the wall, and have a sense of implied motion. They
utilize diverse materials such as washing machine agitators, bird
nests, and feathers. Priore’s stained glass-like paintings
with translucent lacquers on clear surfaces, or his works on paper,
also illustrate an aerial world of ambiguous scale. He has exhibited
nationally and abroad, with his work being viewed in Berlin, Moscow,
and Hiroshima.
Albero della Vita / Tree of Life, The Art of Christopher
Priore is his fourth New York solo show. It is the second half
of a west coast-east coast presentation of his art at Italian American
venues, with
Christopher Priore: New Adventures having been
presented earlier this year at San Francisco’s Museo ItaloAmericano.
Priore’s art has been discussed in all forms of the mass media
for two decades. Amongst the most recent, are articles in
The
New York Times, ELLE, and
HAMPTONS. His biography will
be included amongst the exclusive 100,000 Americans in the forthcoming
59th edition of Marquis’
Who’sWho in America.
Generous funding for the exhibition and programs has been provided
by:
Louis Tallarini
The exhibition is also made possible in part by:
The Columbus Citizens Foundation, Inc.
Unico National Foundation
John D. Calandra Italian American Institute
Queens College
The City University of New York
Richard A. Grace
Coalition of Italo-American Associations, Inc.
Paul David Pope
Katherine & Vincent Bonomo
Donovan & Giannuzzi
The Frank J. Guarini Foundation
Ilaria, Susy and Vincenzo Marra
Vincent & Virginia Morano
Mr. & Mrs. Matt Sabatine
National Italian American Foundation
Baronessa Mariuccia Zerilli-Marimó
Excavators Union Local 731

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